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CAMERAS

Panasonic AG-HPX300

The New Panasonic AG-HPX300, a 1/3" CMOS camera which features full resolution 1920x1080 chips. The camera's ENG frame is equipped with a Fujinon 17x lens. The HPX300 has a feature-set including timecode, genlock and HD-SDI, which is usually found only on larger HD cameras. More importantly, the HPX300 can record Panasonic's premiere recording format, AVC-Intra. When shooting in AVC-Intra mode the camera has the ability to shoot full-raster 1080p footage at 10-bit 4:2:2 color.

AG-HVX200A
1/3" 3-CCD P2 HD/DV

The HVX200A is equipped with a 1/3" 16:9 progressive 3-CCD imager (effective resolution of 1.1 million active pixels with a spatial offset) that delivers outstanding image quality. It offers lower smear and a higher S/N ratio that results in lower noise and better low light performance than the prior model. The HVX200A's image quality is also enhanced by a new high-performance digital signal processor (DSP) featuring 14-bit A/D conversion and 19-bit inner processing. Equivalent to the processors used in many higher-end HD cameras, this new DSP ensures precise, beautiful recordings in all video formats. Because the HVX200A scans at native 1080P for the initial picture processing, users get the highest level of vertical resolution, whether shooting in HD or SD.
AUDIO

Sennheiser ME66

The Sennheiser ME66 short shotgun microphone is a popular choice among video, film and ENG / EFP professionals. The capsule features a highly directional, cardioid polar pattern yielding great attenuation at the sides of the microphone while maximizing pick up at the front. The result is a focused pick-up in highly ambient environments. A wide 40-20,000Hz frequency response provides detailed, accurate signal reproduction. This version uses the K6P power supply which is capable of phantom power only. The absence of a battery compartment on the K6P, makes for a much more compact microphone, convenient for mounting to smaller cameras. The ME66 is at home in event videography, ENG / EFP use, video depositions, corporate media applications and film.

Sennheiser
Evolution G3 100 Series

The wireless body-pack standard gets even better. Sennheiser has packed many useful features in the 158g weight of the SK 100 G3. The SK 100 G3 has an easy-to-read graphic display, infrared sync, charging contacts, cable emulation, RF mute, an intuitive menu and much more. As features alone are no substitute for audio quality, the AF frequency response was expanded to 25-18,000 Hz for the truest sound.

Lectrosonic
100 Series – Wireless UHF Lavalier Microphone System

The UCR100 is a compact wireless microphone receiver designed for easy, convenient operation with smaller DV camcorders. The UCR100 offers over 256 selectable frequencies over a 25.6MHz band to avoid interference from local RF sources. Matching transmitters provide a full 100mW of output power, resulting in clean frequency transmission without virtually any drop-outs. The UCR100 output operates nominally at 0dBv (line level), but use with microphone inputs on camcorders can be achieved with an optional adapter cable. Frequency selection is achieved via recessed rotary switches located on the side panel. An easy access audio output adjustment knob is located in the front panel. The UCR100 is 9V battery powered and enclosed in a lightweight, durable, machined aluminum housing.
TRIPODS:

Sachtler DV-12SB ENG Carbon Fiber Tripod System

The Sachtler DV-12SB ENG Carbon Fiber Tripod System, which includes the DV-12SB fluid head, is the choice for the professional videographer utilizing heavy camcorders and demands the smoothest pan and tilt during his days work. The 12-step counterbalance system creates the perfect counterbalance of the camera whether using a light or a heavy lens.

Vinten PRO-10-DC Protouch Lightweight Tripod System

The Vinten PRO-10-DC tripod system is a combination of a Pozi-loc tripod, Pro-10 Pan and Tilt head, floor spreader and soft carry case. This system was designed to work with small camcorders weighing less than 22 lbs. Offering continuously variable fluid drag, exceptional rigidity and a fully adjustable spreader; this system allows the user great functionality in a matched system

LIGHTING:

Arri 4 Light Arri Softbank II Kit.

This is an Arri 4 Light Arri Softbank II Kit. It includes barndoors, scrims, a softbox, light stands, bulbs, accessory kit, and a heavy duty wheeled case.
The 650 Watt Fresnel is designed to gather as much light as possible and direct it through the 3.2" (80 mm) low expansion, borosilicate Fresnel lens producing a soft, even field of light. The beam angle in the flood position is 52°, and a narrow 14.5° in the spot position.

As an open-faced fixture, the Arrilite 1000 is designed for a wide range of film and photographic lighting applications. This kit comes equipped for 120 AC voltage, but it may be used with 220-240 AC voltage, by ordering the appropriate bulbs and plug adapters.
DOLLY

Indie-Dolly Systems

The Indie Dolly IND.CTD "Universal Dolly" is a dolly that works on straight track as well as curved track (without having to add any accessories). This dolly is adjustable to any track width and doesn't require any tools for set up.
MISC:

Misc Equip (Audio):

  • Boom Pole, Wind Screen, 2 Channel Mixer.
  • Audio Cables
  • Video Cables
  • Audio Equipment (Boom, Wind Screen,

 

Camera:

 

  

Be sure to check out the equipment and prices page to see the latest gear and price updates.

Take a look at this company

I work consistently with New Leaf Media Group. They are my biggest supporter and work ethic and integrity are outstanding. I primarily work as a Director of Photography or as a camera operator. If you ever need a company to handle your production from start to finish, consider using New Leaf Media Group. I highly recommend them.

Darren

New Leaf MediaNew Leaf Media Group